For 2 horns, 2 trumpets, 2 trombones and tuba.
This is the second and best version of the three. I just modified the intro and gutted the inner parts of #50, and, hello, a new piece. This one works much better. I didn't delete #50 because it has some merit. I mean, it can serve as an example of how to write a completely disjointed piece. For some reason, I've been thinking a lot lately about modality, so I've resolved to explore that tomorrow with a version of this piece. It might make for some interesting listening, but that's not a guarantee.
Click on the title to listen.
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment